- #BEST BOKEH LENS FOR SONY A7III FULL#
- #BEST BOKEH LENS FOR SONY A7III SERIES#
It’s always good to have at least one fast, prime lens in your bag on a shoot. They’re super clean and have fantastic bokeh wide open at f1.4, and render an image that is nearly perfect edge to edge.
#BEST BOKEH LENS FOR SONY A7III SERIES#
The G master series of lenses are Sony’s premiere offering for stills cameras, and they produce some breathtaking footage as well. With an f/4, it isn’t the fastest lens in the world, but it is light and very responsive with Sony’s AF system. It is also a stabilized lens which might not seem super important with a 5-axis stabilized camera (or if you’ve got a A7sIII with gyroscopic stabilization) but it definitely helps smooth things out when you’re tracking with a subject. This is a terrific wide zoom lens that really lets you capture footage in an up close and personal way.
One AA Element Four Aspherical Elements. Sony Vario-Tessar T* FE 16-35mm f/4 Lens ( B&H, Amazon) On top of that, the f/2.8 aperture is a sweet spot/compromise for most indoor lighting situations and depth of field. It is just wide enough to capture footage of subjects who are close to you, and gives you the leeway to zoom in just enough to capture them moving generally moving around. This focal range is fantastic for 85% of the shots a camera person would need to cover on a standard shoot day. Not only have the optics become superb, the build quality and feel of there lenses is next to none. In the last several years, Tamron has really improved the quality of their lenses. Tamron 28-75mm f/2.8 Di III ( B&H, Amazon) Let’s look at the lenses Peter can’t live without. There is no affordable, clean zoom lens that can cover 16mm-200mm and, in general, any lens that has a massive zoom range isn’t going to suffer from some very serious limitations. Unfortunately, we don’t live in a perfect world. That will allow you to frame the appropriate shot for whatever gets thrown your way. Ideally, you want to keep lenses in focal lengths (full frame equivalent) 16mm to 200mm. Depending on what you’re shooting that day, you’re going to need a set of lenses that can capture everything near, far, and in-between. When you’re shooting video, having a wide range of lenses in your bag is really important. In this video, he explains what is so special about them, and shares the details on the ones he can’t live without. 
Peter Lindgren is here to give us a peek into his camera bag and the lenses he uses to get the most out of his Sony A7III. But that doesn’t mean those lenses need to break the bank.
#BEST BOKEH LENS FOR SONY A7III FULL#
The lenses you choose to keep in your kit need to be functional, practical, and the best that there is to give you the full potential of your camera. Contractors have their power tools, artists have their brushes, and cinematographers have their lenses. The camera you film with will only ever be as good as the lens you shoot through.
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